Tondeleo - If you have read these posts up to now, you will have gotten some understanding of the minds of rural Americans, who may be nearly penniless, yet have large amounts of guns and musical instruments. They don't find this extravagant at all. They say these are necessities and are part of what makes life worth living. That and "the good Lord." Guns, guitars and God (and pickup trucks, and for many, beer).
This post is about what Doc calls Tele Number Two. This one is a 1971 Fender Telecaster that he has had for a long time. It has been heavily modded. In fact to a purist, it might be considered heavily ruined. Doc mentioned taking it to a guitar shop down in Virginia, and the guitar tech looked it over, and pronounced that while it lost some value due to it not being all original, that the modifications were old enough that some of them were considered vintage!
This guitar was modded more than thirty years ago.
Doc: This here Tele was what we called "hopped up" back then. We didn't say modded. It weren't rare back then, it was just an old guitar an' it needed to sound better. It is kind of rare, too, because it's got a maple plug up on the neck where the adjusting rod goes in. Most of them has like walnut. Mine don't.
Tondeleo: What is it with Americans that even ones like you, without much money, have this mad drive to customise EVERYTHING? Can't you leave well enough alone?
Doc: Well, we like to make things personal, Tondy. The factories make things for just average, like not for anyone special. So when you get it, whether it's a guitar or a pickup truck or bike [motorcycle], it's up to YOU to make it the way YOU want it for what YOU plan on doin' with it.
You might jack your truck up, for mud boggin' or lower it down for a low rider. Or custom paint it so it stands out. You gotta put rims on it and all that.
For your guitar, it's the same thing. Everyone is a individual and has to make it so it is just right for what you want to do with it, the kind of music you play and the sound you want. Out of the box, it's not really for anybody. Just everybody, if you know what I mean.
Plus, if you're poor, you might just want to have SOMETHING that is special just to YOU. You want to stand out and be different. It is kind of like showmanship but in real life.
On this Tele, I think it was about 1978 or 79 when we did it. We put on a Kahler whammy bar setup. It's got pulleys and springs and is for doing what was called dive bombs, and making the sounds bend, without the guitar going out of tune. That Kahler set up was $300 back then! I painted a boy's pickup for $300 and then gave all that money to the guitar shop for that Kahler bridge! They had to cut into the guitar to put it in and set it up. But I guess it was worth it. I couldn't have done it right!
On a Telecaster, the strings go all the way through the body, so it stains [sustains] longer. The strings goes in through the back. That's else why I couldn't have put that Kahler on there. I woulda ruint it for sure.
Then we put more pickups on it. A Tele comes with with just two single coil pickups on it, so it hums a bit and is kind of limited. We wanted it to sound different - you see, I already had the other Tele, Tele Number One, and they weren't rare - still aint rare. Just old ones is rare now. Tele Number Two was like 8 years old back then. Just old enough to be ready to upgrade. Nobody thought it was stupid back then - just now, 30 years later! But I don't care, cause I ain't sellin' it.
It aint a collector's guitar, Tondy, it's a player's guitar. And it plays blues like you wouldn't believe, and rock, metal, country, you name it. It'll do it. And it should, with all this work done to it!
Like now, instead of just two single coil pickups like it came with, it's got two humbuckers and one single coil. We put in a five way switch so you can have five combinations of ways it can sound.
They had a "brass works" option from Fender back then, I think them and Kahler was in on it together, so we got that, too. That was a few dollars, at least for a poor man back then. It was the back plates behind the knobs and pickups, and the whammy bar had a brass tip on it, and the knobs were brass.
Since the Kahler was black and the pickups were brass, I threw away the brass knobs and put black ones on it to match better. That Tele was the envy of most everybody who saw it back then. It looked so sharp, and sounded good, and just had "that look" to it. All the boys back then liked it and wished they could do somethin' to theirs. Some of them did, but not many cause nobody had any money. I worked hard because I had a desire for it, and saved my money for this.
Tondeleo: What are the four little holes up there on the part where the tuners are?
Doc: We had the locking nut which was part of the Kahler set up, up there for a while, but it was a hassle to tune, so I took it off and threw it away about a year after putting it on. I never filled the holes from the screws. It'd look worser than it does with the little holes in it. I still like how it looks and sounds. It is good for rock and blues and country, pretty much anything. It's been good to me.
By the way, that guitar was worth maybe $300 at the most when we did all that work on it! A $300 guitar and maybe $500 or so in making it personal. At the time, it DID make it worth more. I weren't doing it to make it worth more in money. I did it to make it worth more to ME.
But now after 30 years, some of them boys say it cut the value in half or less. Ain't that somethin? But I ain't care. It's not for sale. Probably when Marilyn gets married someday and has some youngin's I'll give it to the one what'll learn how to play guitar and treats me good.
